It is a Sunday afternoon. I have been wallowing in Brahms for the last few weeks as I rehearse it on Thursdays and listen to it to and from my work. Readers of this blog know I LOVE BRAHMS! So it is with a "I am not in the mood for Mozart at all" that I take my place at rehearsal. The conductor has the pianist play the opening measures and, SHUDDER, I am grabbed into a scary place and can feel the composers trepidation as the piano takes the listener to the choir's forte opening of "Requiem"! I am overcome by the emotion in the work in a way that has me tearing up at several points.
The first movement of Mozart's Requiem seems to be a perfectly crafted piece of music that one would not approach too casually and certainly not with the bored air I took my seat with. No! This is a fine piece of music filled with uneasiness but also glimmers of sweetness. Mozart is to have said, "I fear I am writing the Requiem for myself." and this sentiment comes through in the opening bars.
I have sung this many times so why do I forget this fact between times?
The choir I am rehearsing with, The Mennonite Festival Chorus, is a joy to work with. This is a group that seems to know that singing this music is an honour and a sacred task. The music is approached with reverence. Not that there is not fun and laughter, and even cookies and coffee at break, but there is just a general seriousness about the music that I don't find in every choir.
I am so grateful to be rehearsing this work again. Performance is on March 30th at the Centennial Concert Hall with the Winnipeg Symphony Orchestra and Jane Glover conducting.
well quite frankly I don't know how one can prepare emotionally for Brahms and Mozart's Requiem at the same time. Draining.
ReplyDeleteOh Mozart yep gets you sucked in right at the get go of what is to come...uneasiness and sweetness, good way of putting it, I can't wait for both. Caroline