Showing posts with label chorus singing. Show all posts
Showing posts with label chorus singing. Show all posts

Monday, November 29, 2021

Messiah - 2021 Many Firsts

  YAY! Wish come true, I did get the invitation to sing in the Messiah with the WSO this year. Though, nothing is the same as it once was.  Yes, it is true that we have sung the Messiah before, but never like this.  The following is a list of what is different this time around.

1.  Standing far from other choristers.  What's good about it?  I have space to breathe.  What's bad about it?  I have so much space to breathe I can't feel my neighbour inhaling thereby reminding me to get ready to sing.


2.  Wearing masks.  Good because conductor cannot see if I remembered to come in or not, and also I can yawn mid performance and nobody will know.  Also I find masks to be a great wrinkle remover.   Bad because the audience will certainly hear muffled words and how will they know I am smiling broadly during 'WONDERFUL COUNSELLOR"?

3. My Cousin, Matthew Dalen is singing the tenor solo part!  Ok, actually my cousin's husband, if you want to get technical. The beauty of this is that there will be many family members in the audience and I can pretend they came to hear me!  

Alto soloist is Kirsten Schellenberg, she of the velvet let-me-wallow-in-it voice. Soprano is Jessica Kos-Wicher and bass is Neil Whitehead.4. Dr. Janet Brenneman is the first local woman to conduct the WSO!  She is rehearsing us and performing with us.  I have sung under her baton many a time, for various works, and certainly the Messiah is one of them but I have NEVER performed under her baton.  It will be interesting to see how performance Janet compares with rehearsal Janet.  

Dr. Janet Brenneman (photo from CMU website)

Rehearsal Janet is well organized, efficient and relaxed. She is in her element. What I do know about performance Janet is that she will look like a million bucks, and will sport a commanding lipstick shade. Hopefully she will be unmasked. I am looking forward to experiencing all these firsts on performance night which is December 5th at the Centennial Concert Hall in Winnipeg. Get your tickets from the WSO Box Office.

Sunday, May 1, 2011

Stop Insulting Us!

     There is a movement, that has been around for a long time, to remove traditional 4-part hymn singing from the churches and to replace it with unison chorus singing.  When one tries to have a discussion of it the chorus singers always come down to " Well, it's okay because God loves all music.",  seemingly missing the point completely.  After all,  God loves our naked bodies too but that doesn't mean we all show up to church naked; at least that movement has not reached my congregation yet.
      People like myself do not only support the idea of keeping 4-part singing for the obvious comfort it gives to the old and vulnerable in our congregation but also because it is the job of higher institutions to give the masses something to aspire to.  If we dumb down the sermons or music we are insulting our listeners.   I really appreciate how the writer Daniel Gregory Mason explains this concept.
     I wonder if you have ever heard the story  of the great nature-lover, Thoreau, and the Indian arrowhead.  It was told by a friend of his who went with him on one of those long walks which he so loved to take all about the country  near Concord, and in the course of which he saw and heard such wonderful things.  The two men fell to talking of those rude arrowheads, chopped from stone, which are almost the only relics now to be found of the Indian tribes that used to hunt in that region; and Thoreau's companion expressed his surprise that any one could ever see, in those wide fields around them, such mere chips of quartz.  "Here is one now," replied Thoreau, stooping and picking one up at his friend's very feet.
     Thoreau was justly proud of his keen powers of observation and  used to explain it by saying that he knew what to look for.  "nature," he writes in one of his books, "does not cast pearls before swine.  There is just as much beauty visible to us in the landscape as we are prepared to appreciate- not a grain more....There is no power to see in the eye itself," he insists, "any more than in any other jelly.  We cannot see anything until we are possessed with the idea of it, take it into our heads."
     What is here so well said of the eye is equally true of the ear.  As there is indeed no power to see in the eye itself, so there is no power to hear in the ear itself.  We cannot see until we know what to look for; we cannot hear until we learn how to listen.  Yet how few people realize what care and study, what love and enthusiasm, are needed to make a good listener, especially to that rarest, subtlest form of sound - music!
      We often hear people say, for example, that they are fond of popular music but that what they call "classical music" is too dry and heavy for them.  They say this complacently, as if it were entirely the fault of the music, and their state of mind couldn't possibly have anything to do with it.  Yet the reason for their preference for the commonplace is that they are not yet trained to seize the more delicate beauty of a melody by Schumann or Chopin.  Let them cultivate their power of hearing by listening with their minds as well as their ears, and these rare, finer beauties will charm them more each day, while the old popular favourites will in the same proportion grow to seem more and more noisy, meaningless and stale. (taken from The Canada Book of Prose and Verse)
     I myself, am one who has only the most elementary form of musical training.  I have that aggravating amount that lets me know there is something there but what that something is, is usually beyond me.  I am still in the stage where I appreciate music with words more than pure music and that is because I need that guidance to understand the music.  I am not yet a sophisticated listener.
     Many of the advocates for unison simple singing in my circles are classically trained musicians.  They can afford to play these simple songs in church because they are exposed to classical music in other settings, but for many the church is their place of live music.  It is their only chance to expose their listening minds to more complex forms.  Popular music is available everywhere, you can't get away from it.  It can be used in Sunday School and Youth nights and all informal gatherings, so you don't need to come to a formal worship service to hear more of it.
      As stated. I have no formal music education and sing at the top of my lungs when watching the Mama Mia movie but because of exposure to good music in my church and home I can discern  that Bach's Mass in B minor is slightly more complex than ABBA's  Chiquita.  I know I am only catching a little of what Bach intended and the fact that there is so much more to discover is exciting to me.
     I really want our institutions like churches and schools to give people something higher to aspire to in all aspects of life.   Athletics, Art, Music, Academics, and Spiritual fulfillment.   If they don't, who will?