Last night we met with the orchestra for the first time to tackle Mendelssohn's Elijah. I was surprised by several things:
1. Several Principal Symphony players were in attendance including Gwen Hoebig, Yuri Hooker, and Daniel Scholz.
2. My daughter's high school strings instructor was present in the Cello section.
3. The conductor did not appear stressed and last but not least...
4. That I was there at all since I spent the day in bed with waves of nausea.
The reason I hauled myself out of bed to attend was that since I am only an associate member of the choir I am not sure how secure my physical spot in the front row between N and S really is. I did not want to show up at dress rehearsal on Saturday having lost this spot from which I feel I can do my best singing. Secondly, I wanted to hear last minute markings first hand.
Being sick and void of any nourishment I could not stand for much of the rehearsal and when I did stand I felt I would fall on to the horn section directly below me. Surprisingly, my voice was in okay shape but my timing was somewhat off so I made blunders that I have not made in previous rehearsals. There are now different voices behind me than in our rehearsal venue so I had a whole new perspective on the pieces; not all of it positive. In some ways this semi-professional choir is not all that different from the church choir I sing in. Some sloppy singing still abounds this close to performance, some markings have still been missed which drives our conductor crazy, and basses are still heard to ask, "What page are we on?"
I am thankful I am not in charge of anything for this event. I just show up and sit quietly in my chair while the stage manager, a brave woman, has to arrange all of us in the best possible manner as she tried to solve the problems of altos without chairs, two choristers whose chairs fell through the platform leaving them on the floor, first sopranos sitting with the altos and more. She handled all of this with a smile as I realized she is the right person for the job.
Tomorrow the soloists will be there and they will certainly add more than enough sparkle to the event to help the choir take it up a notch or two. By Sunday's performance we will all peak together to provide a magical few hours. Hopefully, I will feel somewhat better by then.
Showing posts with label Elijah. Show all posts
Showing posts with label Elijah. Show all posts
Friday, February 22, 2013
Saturday, January 19, 2013
Elijah!
Elijah,was a famous prophet and a wonder-worker in the northern kingdom of Israel[3] during the reign of Ahab (9th century BC), according to the Biblical Books of Kings as well as the Qur'an. According to the Books of Kings, Elijah defended the worship of Yahweh over that of the Phoenician god Baal; he raised the dead, brought fire down from the sky, and was taken up in a whirlwind (either accompanied by a chariot and horses of flame or riding in it).[4] In the Book of Malachi, Elijah's return is prophesied "before the coming of the great and terrible day of the Lord,"[5] making him a harbinger of the Messiah and the eschaton in various faiths that revere the Hebrew Bible. Derivative references to Elijah appear in the Talmud, Mishnah, the New Testament, and the Qur'an.
In Judaism, Elijah's name is invoked at the weekly Havdalah ritual that marks the end of Shabbat, and Elijah is invoked in other Jewish customs, among them the Passover seder and the Brit milah (ritual circumcision). He appears in numerous stories and references in the Haggadah and rabbinic literature, including the Babylonian Talmud.
In Christianity, the New Testament describes how both Jesus and John the Baptist are compared with Elijah, and on some occasions, thought by some to be manifestations of Elijah, and Elijah appears with Moses during the Transfiguration of Jesus.
In Islam, the Qur'an describes Elijah as a great and righteous prophet of God, and one who powerfully preached against the worship of Ba'al.
(the above is re printed from Wikipedia and I can't believe the amount of hyper texting that is going on here!)
So we now know that Elijah is a major prophet with great impact. It is this story that Mendelssohn sets to music and this story that will be performed by the Winnipeg Philharmonic Choir and members of the Winnipeg Symphony Orchestra under the direction of Yuri Klaz for their 90th Anniversary Gala - a major event in itself!
I have read that it is often performed in English speaking countries and it was first performed in England and became very popular there but I cannot say that my city of Winnipeg has been a frequent Elijah performer. I have heard it only twice here and have never performed it myself. I am enjoying learning a new work and look forward to the Feb. 24 performance.
Like in Bach's Passions the chorus gets to act out the parts of "the crowd" so in the famous battle between Jehovah and Ba'al it is the chorus who cries out, "Ba'al we cry to thee, Ba'al we cry to thee, hear and answer us! Hear and Answer! This can feel hokey in rehearsals if you are not quite into it but once it is put together with soloists and orchestra I am sure we will be in the right mood to cry out to our Ba'al begging for hm to show himself! Speaking of soloists, they will be Tracy Dahl, Kirsten Schellenberg, Kurt Lehman, and Greg Dahl.
Other portions are a joy to rehearse and I can get into the mood for them even in rehearsal These are the comforting pieces such as, "He Watches Over Israel", "He That Shall Endure to the End", and "Lift thine Eyes"
The copies we are using are old and ragged so that one can frequently hear choristers whispering,"Oh, %hit" as half of their pages land on the floor. So on the "To Do" list this week is repair my copy so no more bending over to retrieve lost pages, finish writing in the bar numbers, and rehearse a few of the trickier parts so I will be completely ready to go by the next rehearsal. In addition to being ragged our scores also have German and English text, and not written in the most clear manner, so you will have choristers singing out "Send" while that may look like an English work it is actually part of the German text so don't sing it! Sometimes your voice part will only have the German and you have to look up or down to another voice part to get your lyrics. I want to go over this at home this week too so that I can sing confidently from now on.
It is a treat to sing with the Philharmonic choir because there is no pressure there for me to lead the section and in fact there are so many others on whom I am leaning.
In Judaism, Elijah's name is invoked at the weekly Havdalah ritual that marks the end of Shabbat, and Elijah is invoked in other Jewish customs, among them the Passover seder and the Brit milah (ritual circumcision). He appears in numerous stories and references in the Haggadah and rabbinic literature, including the Babylonian Talmud.
In Christianity, the New Testament describes how both Jesus and John the Baptist are compared with Elijah, and on some occasions, thought by some to be manifestations of Elijah, and Elijah appears with Moses during the Transfiguration of Jesus.
In Islam, the Qur'an describes Elijah as a great and righteous prophet of God, and one who powerfully preached against the worship of Ba'al.
(the above is re printed from Wikipedia and I can't believe the amount of hyper texting that is going on here!)
So we now know that Elijah is a major prophet with great impact. It is this story that Mendelssohn sets to music and this story that will be performed by the Winnipeg Philharmonic Choir and members of the Winnipeg Symphony Orchestra under the direction of Yuri Klaz for their 90th Anniversary Gala - a major event in itself!
I have read that it is often performed in English speaking countries and it was first performed in England and became very popular there but I cannot say that my city of Winnipeg has been a frequent Elijah performer. I have heard it only twice here and have never performed it myself. I am enjoying learning a new work and look forward to the Feb. 24 performance.
Like in Bach's Passions the chorus gets to act out the parts of "the crowd" so in the famous battle between Jehovah and Ba'al it is the chorus who cries out, "Ba'al we cry to thee, Ba'al we cry to thee, hear and answer us! Hear and Answer! This can feel hokey in rehearsals if you are not quite into it but once it is put together with soloists and orchestra I am sure we will be in the right mood to cry out to our Ba'al begging for hm to show himself! Speaking of soloists, they will be Tracy Dahl, Kirsten Schellenberg, Kurt Lehman, and Greg Dahl.
Other portions are a joy to rehearse and I can get into the mood for them even in rehearsal These are the comforting pieces such as, "He Watches Over Israel", "He That Shall Endure to the End", and "Lift thine Eyes"
The copies we are using are old and ragged so that one can frequently hear choristers whispering,"Oh, %hit" as half of their pages land on the floor. So on the "To Do" list this week is repair my copy so no more bending over to retrieve lost pages, finish writing in the bar numbers, and rehearse a few of the trickier parts so I will be completely ready to go by the next rehearsal. In addition to being ragged our scores also have German and English text, and not written in the most clear manner, so you will have choristers singing out "Send" while that may look like an English work it is actually part of the German text so don't sing it! Sometimes your voice part will only have the German and you have to look up or down to another voice part to get your lyrics. I want to go over this at home this week too so that I can sing confidently from now on.
It is a treat to sing with the Philharmonic choir because there is no pressure there for me to lead the section and in fact there are so many others on whom I am leaning.
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